HOME    │     BLUES T-SHIRTS     │     FOLK ART     │     POSTERS     │     CONTACT    │     VIEW CART  





SITE NAVIGATION

Blues Apparel
• Blues T-Shirts
Blues Hats


Blues Folk Art

Art by Grego
Dan Dalton

JD Sipe
Al Villacara  
Boudreaux

Blues Posters

Silkscreened Prints  
Digital Posters

Personalized

Blues Music
Blues CD's 

Other products
Koozies & More   

View Cart
or Checkout


Blues Video Clips

About Mojohand

Shipping FAQ

Refund/exchanges

Privacy Policy


 

Howlin Wolf Poster - Digital 12" X 18"

Click Here to return to the Digital poster page

Howlin Wolf Poster- signed by Grego

Great folk art digital print on heavy speckletone creme cover stock.
- looks distressed and old.

12"x18" on heavy cover stock - digital print
Price : $15.00

Quantity
This Poster has a $3.00 shipping/handling charge.
Foreign shipping has a one time per order surcharge.
Goods and services provided by Mojo Hand (TX, United States).
Sold by 2CheckOut.com Inc. (Ohio, USA).


A brief Howlin Wolf Bio


"Howlin’ Wolf ranks among the most electrifying performers in blues history, as well as one of its greatest characters. He was a ferocious, full-bodied singer whose gruff, rasping vocals embodied the blues at its most unbridled. A large man who stood more than six feet tall and weighed nearly 300 pounds, Howlin’ Wolf cut an imposing figure, which he utilized to maximum effect when performing. In the words of blues historian Bob Santelli, “Wolf acted out his most potent blues, becoming the living embodiment of its most powerful forces.” Howlin’ Wolf cut his greatest work in the Fifties for the Chicago-based Chess Records. Many songs with which he is most closely identified - “Spoonful,” “Back Door Man,” “Little Red Rooster” and “I Ain’t Superstitious” - were written for him by bluesmen Willie Dixon, a fixture at Chess Records who also funneled material to Wolf’s main rival, Muddy Waters. Howlin’ Wolf himself was an estimable songwriter, responsible for such raw classics as “Killing Floor,” “Smokestack Lightning” and “Moanin’ at Midnight.”

In 1910, Howlin’ Wolf was born on a Mississippi plantation in the midst of a blues tradition so vital it remains the underpinning for much of today’s popular music. His birth name was Chester Arthur Burnett; “Howlin’ Wolf” was a nickname he picked up in his youth. He was exposed to the blues from an early age through such performers as Charley Patton and Willie Brown, who performed at plantation picnics and juke joints. Wolf derived his trademark howl from the “blue yodel” of country singer Jimmie Rodgers, whom he admired. Although he sang the blues locally, it wasn’t until he moved to West Memphis in 1948 that he put together a full-time band. Producer Sam Phillips recorded Howlin’ Wolf at his Memphis Recording Service (later Sun Records) after hearing him perform on radio station KWEM.

Some of the material was leased to Chess Records, and in the early Fifties Howlin’ Wolf signed with Chess and moved to Chicago. He remained there until his death.
Howlin’ Wolf served to influence such blues-based rock musicians as the Rolling Stones and Eric Clapton. In fact, he recorded a pair of albums - The London Howlin’ Wolf Sessions and London Revisited - with his British disciples in the early Seventies. Howlin’ Wolf’s distinctive vocal style and rough-hewn approach to the blues can also be heard in the work of such diverse artists as Captain Beefheart and His Magic Band and Led Zeppelin. Slowed down for much of the Seventies due to serious internal injuries suffered in an automobile accident, Howlin’ Wolf gave his last performance in Chicago in November 1975 with fellow blues titan
B.B. King
. He died of kidney failure two months later.”

Click here for Howlin Wolf Video Clips!

 




Copyright. (c) Mojohand. 2001. All rights reserved.